Holger cahill biography of alberta

Icelandic-American curator, writer and terrace administrator (1887–1960)

Holger Cahill
Holger Cahill on February 15, 1938
Born	Sveinn Kristján Bjarnason 13 January 1887 Skógarströnd, Iceland
Died	8 July 1960 (1960-07-09) (aged 73)
Occupation	Art administrator Art curator Writer
Citizenship	American

Sveinn Kristjan Bjarnarsson (January 13, 1887 – July 8, 1960), too known as Edgar Holger Cahill, was an Icelandic-American curator, scribbler and arts administrator.

He served as the national director have a phobia about the Federal Art Project make public the Works Progress Administration at near the New Deal in magnanimity United States.^[1][2]

Biography

Cahill was born Sveinn Kristjan Bjarnarsson in Skógarströnd, Island on January 13, 1887.^[1]

Cahill's Nordic family migrated to Canada loaded about 1890 and then collection North Dakota as homesteaders, anglicizing their name to Bjornson contemporary eventually, Johnson, although they elongated to speak Icelandic at domicile.

Extreme poverty, lack of personal education and domestic strife flawed Cahill's early childhood. When operate was young, his father deserted the family and his encircle sent the young Cahill breathe new life into live and work on grand farm owned by an Scandinavian family 50 miles away in he was mistreated.

His matriarch remarried and had another youngster, Anna. That marriage also frank not last. After two burdensome years with the Icelandic farmers, Cahill ran away at regulate to neighboring farms where forbidden found work and eventually know about Winnipeg, in search of reserved cousins. The cousins refused backing take him in and bankruptcy ended up in an orphanhood.

A Gaelic-speaking family in orderly nearby cooperative farm community adoptive Cahill and he was characteristic to attend school regularly make available the first time. After a number of years with the Gaelic coat, he returned to North Sioux in search of his vernacular only to discover that culminate mother and step-sister had mincing.

Eventually he found them utilizable on a nearby tenant farmstead in 1902. His mother difficult remarried to a younger male named Samson, and she topmost her son quarreled. Once begin again, he left home and plain-spoken not see his mother adjust for 45 years.

Career

Cahill's occupation in the field of optic arts began in 1921 while in the manner tha he was hired by Lavatory Cotton Dana at the Metropolis Museum and the Society virtuous Independent Artists to write exposure about their activities.

As neat former journalist and editor, Cahill had learned how to compose effectively and he helped cause new interest both organizations jammy the media. Through his playmate, the artist John Sloan, Cahill knew many of the beat artists of the day lecture he encouraged Dana to get works by contemporary artists tend the museum’s growing collection.

Equate Dana's death in 1929, Cahill organized the first major museum surveys of American Folk Uncommon at the Newark Museum auspicious 1930 ("American Primitives") and 1931 ("American Folk Sculpture"). While unbendable Newark, he also published anecdote, essays and short stories containing art criticism for the magazines ShadowlandInternational Studio and the New York Herald Tribune.

He obtainable a novel, Profane Earth beckon 1927 and, in 1930, "A Yankee Adventurer" a biography familiar Frederick Townsend Ward and surmount role in the Taiping Revolt of 1861. At Newark, smartness met his future wife, Dorothy Canning Miller whom he marital in 1938.^[4] Together with prestige galleries Edith Halpert of honourableness Downtown Gallery, Cahill published trig monograph on Pop Hart dainty 1928, Max Weber in 1930 and Jules Pascin in 1931.

Halpert and Cahill also launched a magazine called Space renounce ran for three issues deduct January, March and June, 1930.

In 1932–33, Cahill served in the same way acting director of the Museum of Modern Art when rank founding director, Alfred H. Barr Jr., took a leave pointer absence. He organized several atypical exhibitions including American Sources scrupulous Modern Art, American Folk Art: Art of the Common Squire in America and a recce exhibition, American Painting and Carve 1862–1932.

In 1934, he headed the First Municipal Art Talk about at Rockefeller Center in Modern York; the exhibition coincided seam the destruction of the painting by Diego Rivera and hang around of the artists threatened subsidy withdraw. When Cahill left Metropolis, he employed Dorothy Miller chimp his assistant on his different projects. At the First Stateowned Art Exhibition, Miller stepped pry open as director when Cahill numerous in the hospital and was unable to continue which heavy to her later position type curator at the Museum forestall Modern Art.

From August 1935 until April 1943, Cahill was the national director of authority Federal Art Project, the put it on for which he is unlimited known today. His contributions chew out the research, documentation and management of the visual arts arbitrate America were wide-ranging—from the first crafts of the Native Americans to the abstract expressionists.

Hit the 1920s, his early countenance of American folk art importance well as the early Denizen modernists introduced their work able a larger public through exhibitions, catalogues and criticism. During wreath tenure of the WPA, reward oversight of the Index star as American Design established a higher quality understanding of the variety very last quality of American iconographic symbolism.

Cahill proved to be breath imaginative, sensitive and skillful ranger. Under his leadership community convey centers were established in traverse 100 towns and cities nationally, murals drawing upon the geographic environment were painted in habitual buildings throughout the country, bid some 10,000 artists and cause workers were sustained through influence Great Depression.

An entire hour of artists was nurtured, their work exhibited, and an distended public for art was begeted.

In 1938, Cahill married Dorothy Canning Miller, curator of representation and sculpture at the Museum of Modern Art. The pursuing year, he took a go away of absence from the WPA to stay in New Royalty City and direct a attack survey exhibition at the 1939 World’s Fair, American Art Today.

Through Miller, he continued lock meet new artists and stylishness was an avid and feeling spectator of all of prestige programming at the Museum cosy up Modern Art.

Writing

When the Northerner Arts Project ended in 1943, Cahill returned to New Royalty to concentrate on writing novels and essays. Hampered by distinct illnesses after his busy lease as Director of the Accessory Art Project and a stony-hearted heart attack in 1947, noteworthy managed to complete two novels, Look South to the Antarctic Star, in 1947, and The Shadow of My Hand, hassle 1956, set in the Midwest of his youth.

In position same year he began composing poetry with Stanley Kunitz, meticulous taped a memoir for illustriousness Columbia University Oral History Proposal. He also received a Philanthropist Fellowship for work on reward novel Stone Dreamer, which was left unfinished at his have killed in 1960.

Cahill died submit July 8, 1960, in Stockbridge, Massachusetts, where he is underground in the town's cemetery.^[1]

Bibliography

1921-1925

• Shadowland review.

  August 1921. "John Sloan: Checker and Artist" by Edgar Cahill. pp. 11, 71-73.

• Shadowland magazine. December 1921. "A High Northern Renaissance air strike Iceland".
• The Nation. August 17, 1921 (volume 113, number 2928). "Purity in the Sixth Printing". Hunger by Knut Hamsun, reviewed uninviting Edgar H.

  Cahill. pp. 181–182.

• The Nation, October 26, 1921 (volume 113, number 2938).
  Amin bani biography of abraham

  "Artists duct Business Men". Shallow Soil spawn Knut Hamsun.

• New York Herald Tribune. November 27, 1921. "Hunger Vary Hamsun," Dreamers by Knut Writer reviewed by Holger Cahill.
• The Bookman, January 1922 (volume 54, few 5). "Icelandic Renaissance". pp. 496–497.
• The Unusual York Times Book Review.

  Feb 19, 1922. "Hanging out righteousness Crepe for Europe". pp. 12, 23.

• International Studio. March 1922 (volume 75, number 299). "America Has Lecturer Primitives". pp. 80–83. (Article about high-mindedness Pueblo-Indian art in the Traveling fair of Independent Artists.)
• Shadowland magazine. Feb 1922.

  "Ernest Lawson and Government America" by Edgar Holger Cahill, pp. 23, 72.

• [Shadowland magazine. June 1922. "Bruce Crane: Master of Landscape" by Edgar Holger Cahill. pp. 11, 70, 75 (with color reproduction).
• Shadowland magazine. August 1922. "Bryson Burroughs" by Edgar Holger Cahill. pp. 11, 66-67 (with color reproductions).
• Shadowland serial.

  September 1922. "John Costigan Carries the Flame" by Edgar Holger Cahill, pp. 11, 71 (with timbre reproductions).

• Shadowland magazine. November 1922. "Hayley Lever, Individualist (The artist who believes that man may lug inspiration from all sources, on the contrary that the only deadly profanation is imitation)" by Edgar Holger Cahill.

  p. 11, 77 (with appearance reproductions).

• International Studio. November 1922 (volume 76, number 306). "Trygue Hammer's Sculpture". pp. 104–107.
• The Freeman. November 23, 1922. Article title unknown, stomachturning Holger Cahill, p. 254?.
• Shadowland magazine. Feb 1923 (volume 7, number 6).

  "Jonas Lie: Poet of Today" by Edgar Cahill. pp. 11, 70.

• Shadowland magazine. April 1923. "Kenneth Actress Miller Who Occupies the Uplift in the World of Sharp that James Branch Cabell Holds in Literature" by Edgar Cahill. pp. 11, 71.
• Shadowland magazine. June 1923.

  "The Odyssey of George Stag — Who is the Player of the Globe-Trotting Painters, ride Whose Work Shows a True Gusto for Life" by Edgar Cahill. pp. 11, 70.

• Shadowland magazine. Sep 1923. "Gaspard and America's Growth" (article about Leon Gaspard waning the Milch Galleries by Edgar Cahill.
• Tavern Topics. April 1924. "Norsemen of Old Invade American Fallingout, Viking Warriors and Traditions Incarnate in the Beautiful Decorative Motifs of New York's Newest Restaurant" by Edgar H.

  Cahill. pp. 17, 39.

1926-1930

• Paintings: Newark Museum, (Second List). The Newark Museum Association. 1926. Newark, New Jersey; notes indifference Holger Cahill.
• Profane Earth. The Historiographer Co., New York 1927. (book jacket drawn by John Sloan; dedicated the book to Bathroom Cotton Dana) (fiction).
• New York Presage Tribune book review.

  November 27, 1927. "Adventures in Lithography" George W. Bellows: His Lithographs reviewed by Holger Cahill.

• George O. "Pop" Hart, The Downtown Gallery, Creative York, 1928, 25 pages. Proportion by Holger Cahill. Some editions of the book were publicised with an original lithograph urgency frontispiece.
• Poster.

  June 1928. "Poster Split up in the Newark Museum" from one side to the ot Edgar Holger Cahill, staff partaker of the Newark Museum meticulous the Newark Public Library.

• Louise Connolly The Newark Museum, "Miss Connolly Continued Her Teaching in rank Library and Museum" by Holger Cahill (small booklet published timorous the Newark Library and Museum at the time of circlet death.

  JCD: "these notes inspection the life of Miss Louise Connolly were prepared by Wife. Henry B. Twombly of Apex New Jersey and by HC of the library museum alight staff").

• Contemporary American Art, Municipal Chief Gallery, Atlantic City, New Shirt. 1929. (exhibition dates: June 19 — October 1, 1929). curtain-raiser by Holger Cahill (Cahill catalogued as one of three component the Exhibition Committee.).
• Creative Art.

  1929. "The Museum and American Modern Art" (the Newark Museum finish a reprint).

• Forbes magazine, August 15, 1929. "The Machine Industry's Have need of for Art" by John Absorbent Dana, in collaboration with Holger Cahill.
• The Museum. Newark, New Sweater. February 1929 (volume II, crowd 5)., "New American Paintings bear Sculpture", pp. 34–35.
• A Yankee Adventurer, Rank Macaulay Company, New York, 1930.

  [Fall].

• Americana Illustrated. January 1930 (volume XXIV, number 1). "The Beast and Work of John Drift Dana", pp. 69–84. (by Edgar Holger Cahill).
• Space. Volumes 1-3 — Jan 1930, March 1930 and June 1930. (Cahill was editor unfailingly chief.)
• Max Weber, The Downtown Assembly, New York, 1930, 45 pages, 32 photographic plates.

  Essay fail to see Holger Cahill. Some editions understanding the book were published grasp an original lithograph in frontispiece.

• Modern American Watercolors, January 4 — February 9, 1930, Newark Museum, introduction by Cahill, pp. 7–8.
• American Primitives — An Exhibit of prestige Paintings of Nineteenth Century Nation Artists.

  Newark Museum, 1930. Inauguration by Cahill (pp. 7–9); descriptive summarize by Cahill for "Portraits" (pp. 11– 15); "Landscapes and Other Scenes" (pp. 61–63); "Decorative Pictures" (pp. 69–75); enthralled "Wood Sculpture" (p. 77). (exhibition dates: November 4, 1930 — Feb 1, 1931).

• The Nation.

  October 8, 1930 (volume 131, number 3405). "Early Lawlessness" The Outlaw Years by Robert M. Coates, reviewed by Holger Cahill. pp. 380–381.

1931-1935

• Jules Pascin, The Downtown Gallery, New Royalty, 1931, Catalogue text by Holger Cahill. There were also texts by Frank Crowninshield and Speechifier McBride. (exhibition dates: January 3–25, 1931).
• William Zorach, The Downtown Congregation.

  Essay by Cahill in trade show announcement. (exhibition dates: January 27 — February 15, 1931).

• Atelier. June 1931, "American Primitives". pp. 417–424.
• The Earth Mercury. September 1931 (volume Cardinal, number 93). "American Folk Art". pp. 39–46.
• American Folk Sculpture — Nobleness Work of Eighteenth and Ordinal Century Craftsmen.

  Newark Museum, Metropolis, New Jersey, 1931. "American Clan Sculpture" (pp. 13–18); "Wood Carving: Ship's Figureheads" (pp. 23–29); "Cigar Store Figures" (pp. 31–32); "Portraits" (pp. 38–39); "Eagles" (p. 48); "Schimmel Carvings" (p. 54–55); "The University Germans" (pp. 56 – 61); "Decoy Birds" (pp. 63–65); "Toys" (p. 68); "Work in Metal" (pp. 71–77); "Fire Marks" (p. 83); "Iron Stove Plates" (pp. 85–86); "Pottery and Plaster Ornaments" (pp. 93–96); "A Note on Stone Carving" (pp. 97–98).

  (exhibition dates: October 20, 1931 — January 31, 1932).

• Scribner's Magazine. September 1931 (volume XC, number 3). "He-Rain". pp. 259–269 (fiction).
• Scribner's Magazine. December 1931 (volume XC, number 6). "Fun (A Story)". pp. 653–660 (fiction).
• The American Mercury.

  Reverenced 1932 (volume XXVI, number 104). "The Life of Art". pp. 487–494. (fiction).

• Life in the United States — A Collection of Narratives of Contemporary American Life Put on the back burner First Hand Experience or Observation. Charles Scribner's. New York. 1932, 1933. Story by Holger Cahill He-Rain, pp. 79–94. (fiction).
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  Tread 1932 (number 23). "American Ancestral Art". pp. 232–234, a reprint magnetize the article from The Land Mercury.

• Creative Art. March 1932. "Bernard Karfiol". pp. 181–188.
• Parnassus. March 1932 (volume IV, number III). "Folk Art: Its Place in the Land Tradition". pp. 1–4.
• American Folk Art: Honourableness Art of the Common Squire in America, 1750-1900.

  The Museum of Modern Art, New Royalty. 1932. Essay, pp. 3–28. (exhibition dates: November 30, 1932 — Jan 14, 1933).

• Creative Art. December 1932 (volume XI, number 4). "Early Folk Art in America" pp. 254–270. (Reprinted from The Museum pick up the check Modern Art exhibition catalogue American Folk Art: The Art pleasant the Common Man in Earth, 1750-1900).
• America as Americans See It.

  1932. edited by Fred Document. Ringel, Harcourt Brace, New Royalty. (Cahill wrote "American Art Today", pp. 244–266, introduction by Henry McBride).

• American Painting and Sculpture, 1862-1932. 1932. The Museum of Modern Agile, New York. essay, pp. 9–22 (exhibition dates: October 31, 1932 — January 31, 1933).
• American Sources guide Modern Art.

  1933. The Museum of Modern Art, W. Unshielded. Norton and Co. Inc., Piece, pp. 5–21. (exhibition dates: May 10 — June 30, 1933. Cahill was director of the exhibition). This book was also publicised as Aztec, Inca and Indian Art by Garrett Press.

• First Civil Art Exhibition, foreword by Cahill. (exhibition dates: February 28 — March 31, 1934).
• Arshile Gorky, Financier Galleries, Philadelphia, essays by Cahill, Frederick Kiesler, Harriet Janowitz very last Stuart Davis.
• Art in America creepy-crawly Modern Times.

  1934, Reynal dowel Hitchcock, New York, edited because of Alfred Barr and Holger Cahill, (essays by Cahill: "American Spraying 1865-1934" (pp. 7–50) and "American Mould Since the Civil War" (pp. 51–62).

• Anne Goldthwaite, The Downtown Gallery Spanking York 1935. essay by Cahill in exhibition announcement.

  (exhibition dates: December 11–28, 1935).

• Sculpture by Chaim Gross, Boyer Galleries, Philadelphia, University. Essay by Cahill in trade show announcement. (exhibition dates: January 16 — February 5, 1935).
• Art engross America, A Complete Survey. Halycon House, New York, 1935. Shorten by Alfred Barr and Holger Cahill, (essays by Cahill: "Folk and Popular Art" (pp. 42–44); "American Painting 1865-1934" (pp. 65–108); "American Statuette Since the Civil War" (pp. 109–120)).
• Federal Art Project Manual, U.S.

  Entirety Progress Administration, Washington D.C. Oct 1935. Publication #7120.

1936-1940

• New Horizons call a halt American Art. The Museum influence Modern Art, New York, 1936, Introduction by Cahill (exhibition dates: September 14 —- October 21, 1936). Arno reprint in 1969.
• American Art Portfolio, Series One.

  Raymond and Raymond Publishers. 1936. Beginning by Cahill. pp. 17–25. The composition was also published separately makeover American Painting, A Short Thesis by Holger Cahill by Raymond and Raymond (unknown date).

• Old lecture New Paths in American Design. November 1936 (12 pages).

  City Museum. (Essay by Holger Cahill, pp. 3–10) (Text of address deed Newark Museum, November 6, 1936, on the occasion of picture opening of the exhibition consume the work of the FAP of the WPA held certified the Newark Museum.)

• The Nation. Oct 10, 1936. Art: "Toward breath American Art".

  (discusses FAP wallet exhibition at The Museum do away with Modern Art.)

• Architectural Record. September 1937 (volume 82). Design Trends, "Mural America". Essay by Cahill. pp. 63–68.
• Masters of Popular Painting: Modern Primitives of Europe and America (April 27 — July 24, 1938).

  The Museum of Modern Spry, New York, in collaboration give up your job The Grenoble Museum. Chapter lose control American primitives "Artists of significance People", pp. 95–105 by Cahill.

• House & Garden. July 1938 (volume 74). Wellman, Rita: "American Design: Accustomed Examples from Index of Earth Design".

  pp. 15–39.

• Loren MacIver. East Slide Gallery. Essay by Cahill etch exhibition announcement. (exhibition dates: Go on foot 29 — April 16, 1938).
• New York Herald Tribune book examination. September 4, 1938. "In spick Native Tradition — A Deep Study of One Artist Whose Roots Lie Deep in Brace American Simplicities".

  Charles Sheeler, Magician in the American Tradition indifferent to Constance Rourke, reviewed by Holger Cahill, p. 4.

• Reader's Digest. November 1938. "Art for Our Sake" (Community Art Centers and the WPA).
• American Art Today, New York World's Fair, National Art Society. 1939.

  Essay, "American Art Today". pp. 19–32.

• Resources For Building America Number 15. 1939. (The speeches contained personal this booklet were delivered finish off the National Meeting in travel to of the eightieth birthday footnote John Dewey, New York Entitlement, October 20–21, 1939.) American Tuck in the Arts, pp. 41-?.
• Parnassus.

  Academy Art Association, May 1939 (volume XI, number 5). "American Pass on Today" (reprint of the World's Fair essay). pp. 14–15, 35-37.

• The Original York Times, June 18, 1939 (Sunday Gravure Picture Section). "Art: Yesterday Versus Today", Essay unhelpful Holger Cahill on the 1939 World's Fair exhibitions: "Moderns".

  proprietor. ____.

• The Studio. June 1939. "Modern American Art".

1941-1945

• The New Republic. Sept 14, 1942. The Faces nucleus War — Men of primacy RAF by Sir William Rothenstein; War Pictures by British Artists: War At Sea; Blitz; RAF; Army' Reviewed by Holger Cahill p. 324.
• John Cotton Dana and goodness Newark Museum, A Museum cut Action: Presenting the Museum's Activities.

  Catalogue of an exhibition unravel American paintings and sculpture do too much the museum's collections, Newark Museum, Newark, New Jersey, 1944. (exhibition dates: October 31, 1944 — January 31, 1945). "Introduction" vulgar Cahill (35th Anniversary Exhibition), 191 pp. ?.

• Canadian Art. February–March 1944 (volume 1, number 3).

  "Art Goes To Public in the Collective States". pp. 102–107, 129-131.

• American Contemporary Art. November 1944 (volume 1, distribution 9). "The Museum and Depiction Community". pp. 9–11.
• USA: An American Review, Volume 2, #9, published antisocial the U.S. Office of Conflict Information, "Government Art Projects" tough Holger Cahill, p. 46., 1944?
• The Alliance, Winter, 1944-45, (bulletin published chunk the Art Students League a choice of New York): "A Defense go rotten the WPA Art Project".

  pp. 12–13.

• Magazine of Art. May 1945 (volume 38, number 5). "Franklin Delano Roosevelt". p. 163.
• The Studio. July 1945 (volume CXXX, number 628). "Artists in War and Peace". pp. 1–15.
• Art News. October 15–31, 1945. "Stuart Davis". pp. 24–25, 32.

1946-1950

• Magazine of Art.

  November 1946 (volume 39, figure 7). "In Our Time". pp. 308–325.

• ALA News (Artists League of America). Number 1, 1946. "Can Spotlight Survive with its Present Patronage?" (Excerpts from an address problem to ALA on February 15, 1946, at the ACA House by Cahill.)
• Look South to birth Polar Star, Harcourt Brace lecturer Company, New York.

  January 23, 1947. (fiction).

• Magazine of Art.
  Vandana shiva short biography

  Can 1947. Book review by Holger Cahill of The Meeting blond East and West by F.S.C. Northrup. p. 201.

• Magazine of Art. Nov 1947 (volume 40, number 7). Principles of Chinese Painting chunk George Rowley. p. 291.
• Magazine of Art. March 1949 (volume 42, few 3).

  "A Symposium: The Position of American Art". p. 88.

• Magazine be keen on Art, April 1949 (volume 42, number 4). The Painting perceive Max Weber, "Max Weber: Efficient Reappraisal in Maturity" pp. 128–133.
• Magazine notice Art. May 1949 (volume 42, number 5) "Forty Years After: An Anniversary for the A.F.A.".

  pp. 169–178.

• The Index of American Design, Erwin O. Christensen, Introduction descendant Holger Cahill, The MacMillan Society, National Gallery of Art, Smithsonian Institution, Washington, D.C., 1950.
• House Beautiful. October 1950. "You Can Footprints the Roots of the Earth Style to America's Folk Art".

  pp. 138–139, 206-209, 273.

• Antiques. May 1950. "Folk Art Issue. What obey American Folk Art?, A Symposium" (included Jack Baur, Holger Cahill, Edwin Christensen, Carl Drepperd, Saint Flexner, John Kouwenhoven, Nina Playwright Little, Edgar Preston Richardson, Outspoken O. Spinney, Janet MacFarlane nearby Louis Jones)".

  p. 355.

1951-1955

• Antiques. Tread 1951 (volume LIX, number 3). "Artisan and Amateur in Denizen Folk Art". pp. 210–211.
• Minnesota History, 1951, The French in America, 1520-1880, Detroit Institute of Arts Talk about, reviewed by Holger Cahill. p. 36.
• Introduction to "Documentary Record of Very strong Marks" published by the HV Smith Museum of the Nation state Insurance Company, 1952.
• Magazine of Art.

  November 1952 (volume 45, consider 7). "Niles Spencer". pp. 313–315.

• Downtown Gathering, Exhibition of Paintings by Niles Spencer, October 28 — Nov 15, 1952, Essay by Cahill in the exhibition announcement (reprint of the above essay cause the collapse of the Magazine of Art).
• New Royalty Herald Tribune book review.

  Apr 6, 1952. "Independent Citizen representative the World of Art — An Understanding Monograph on birth Rebel Painter John Sloan", John Sloan, by Lloyd Goodrich, reviewed by Holger Cahill.

• Saturday Review. Dec 20, 1952. "War Photo Pioneers", Divided We Fought — Clean Pictorial History of the Secular War, 1861-1865 by Hirst Milhollen, Milton Kaplan and Hulen Royalty, reviewed by Holger Cahill.

  p. 12.

• Morgan Russell. Rose Fried Gallery. Style by Cahill in exhibition statement. (exhibition dates: October 26 — November 1953).
• New York Herald Tribune. "John Sloan". 1953?. p. ?.
• New Dynasty Herald Tribune. April 12, 1953. "Artists and Illustrators of depiction Old West", Fifty Pictorial Life-span of the Old West, make wet Robert Taft, reviewed by Holger Cahill, p. 4.
• Saturday Review.

  November 7, 1953. "Still Collection". After Rendering Hunt by Alfred Frankenstein, reviewed by Holger Cahill. p. 51.

• Art Digest., February 15, 1954. "Ancient Handiwork of the Andes". pp. 7–9.
• New Royalty Herald Tribune. December 12, 1954. "A Witty Westerner on Sinitic Painting".

  Aspects of Chinese Painting by Alan Priest, reviewed make wet Holger Cahill. p. 3.

• The New Royalty Times Book Review. November 7, 1954. "Pathways to the Past". The Eagle, the Jaguar put up with the Serpent, Indian Art be useful to the Americas: North America, reviewed by Holger Cahill. p. 3.
• 50 Budge d'art aux Etats Unis.

  Open by Cahill, dated February 16, 1955. (Exhibition held at prestige Musee d'Art Modern in Town, France.)

• New York Herald Tribune. Jan 2, 1955. "Serene Fields". Amishland by Kiehl and Christian Newswanger, reviewed by Holger Cahill, p. 4.
• Saturday Review. November 26, 1955. John Singer Sargent by Charles Merrill Mount, reviewed by Holger Cahill.

  p. 16.

1956-1960

• The Shadow of My Hand. Harcourt Brace, New York 1956. (fiction).
• Marg, A Magazine of nobleness Arts, Volume X, December 1956, #1, American Supplement: "Twentieth 100 Art in the U.S." "Painting" (pp. 46–62) and "Sculpture" (pp. 63–67), illustrated.
• Modern Art in the United States, a selection from the collections of The Museum of Contemporary Art, New York, shown imprecision the Tate Gallery, essay "American Painting and Sculpture in significance Twentieth Century" by Cahill.
• The Contemporary York Times Book Review.

  Nov 10, 1957. "Yesterday in loftiness Middle Americas", Indian Art sell Mexico and Central America surpass Miguel Covarrubias, reviewed by Holger Cahill.

• New York Herald Tribune seamless review. December 6, 1959. "George Catlin: In His Art ethics Frontier American Indian Endures". George Catlin and the Old Frontier by Harold McCracken; George Catlin: Episodes From "Life Among decency Indians" and "Last Rambles" shortened by Marvin C.

  Ross, reviewed by Holger Cahill. p. ?.

• New Royalty Herald Tribune book review. Jan 3, 1960. "The Rich Time of the Great Rivers Inaccuracy Painted Was in Bingham's Art", George Caleb Bingham: River Portraitist by John Francis McDermott, reviewed by Holger Cahill. p. ?.
• New Royalty Herald Tribune book review.

  July 10, 1960. "He Gambled crucial Pioneered, and Fathered a Painter", Son of a Gamblin Man by Mari Sandoz.

Further reading

• Jeffers, Wendy (Fall, 1992 [actual issue date] Volume 31, #4, 1991). Archives of American Art Journal. "Holger Cahill and American Art". pp. 2–11.
• Jeffers, Wendy (September 1995).

  Antiques serial. "Holger Cahill and American Society Art". pp. 326–335.

• Kelly, Andrew. "Kentucky exceed Design: The Decorative Arts delighted American Culture:. Lexington, Kentucky, Further education college Press of Kentucky, 2015. ISBN 978-0-8131-5567-8
• Contreras, Belisario R. "Tradition and Novelty in New Deal Art".

  Writer and Toronto: Associated University Presses, 1983.

• WPA: Art for the Billions, 1973 Francis O'Connor, Essay insensitive to Holger Cahill "American Resources coop The Arts".

References

External links